The following is a sampling of some of the gear at Off the Beat-n-Track:

MIXING CONSOLE: Soundtracs MXR24 (24 channel);

TAPE MACHINES: Tascam 32 1/4" 2 track; TEAC MA-40s 1/4" 2 track; Sony DAT

DIGITAL RECORDING: Macintosh Quad Core 2.5 G5 running Digital Performer 7.1; Motu 24i and 2408MKII 24-bit converters. Macintosh Powerbook 1.33 G4 running Digital Perfomer 4.61 w/ Waves Mastering Bundle.

MONITORS: Yamaha NS-10's powered by a Hafler TA1600, KRK Rokit 8's, Genelec 1031a's

MICROPHONES: Neumann KM-184; AKG C 414 B TLII; Sennheiser MD421MKII; Shure KSM-32; Shure SM57 (4); Cascade FAT Head-SP Ribbon(2); Rode NT1 (2); Rode NT2; AKG C1000S; AKG D112(2); AKG D320B; Audio Technica ATM41A; Audio Technica ATM II; Audio Technica Pro 2AX; Sony ECM 64P; Sony F-560 (2); NADY TCM 1050 Tube Condensor Microphone

OUTBOARD: Vintech X73i (Neve 1073 clone); DBX 586 Tube mic preamp; Alesis Quadraverb stereo effects processor; ART FXR stereo effects processor; Intersound RV100 parametric equalizer and reverb; Behringer Multi-Gate Pro XR4400 noise gate; Alesis 3630 stereo compressor with noise gate; Symetrix 501 compressor / limiter; Behringer Ultramizer Pro; Tech 21 NYC Sans Amp bass driver DI; Behringer 2200 mic preamp; Aphex 107 mic preamp

PLUG-INS: Antares Auto-tune 4; Blockfish Compressor; Proverb, Motu Leveler(LA-2A) and other built-in MAS plug-ins. Waves Masters Bundle (includes the L2 UltraMaximizer Limiter)

GUITARS: Gibson ES 369; Fender Telecaster; Larrivee C-03; Gibson Chet Atkins; Fender Jazz Bass

AMPLIFIERS: Fender Super Reverb (1969); Gibson Falcon (1962); Gibson Ranger (50's); Silvertone 1482; Hartke 4X10 and 1X15 Transporter Cabs; Hartke HA2000 Head.